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OOM: The Raid
There is a forest outside Eirene's door, one that stretches up the side of a mountain. The trees aren't anything like Midwestern America - most of them are smaller and bear fruit. Some even bear olives. She finishes moving forward to give Clark enough room to escape the small hut they are exiting from.
"Up there, behind the clouds, is my home." She points at the distance top of the mountain, currently shrouded in low-lying nimbus clouds.
"Up there, behind the clouds, is my home." She points at the distance top of the mountain, currently shrouded in low-lying nimbus clouds.
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She lets out a breathe and steps back a foot or two, letting go his hand in the process. It's a relatively easy process to remove what she calls the veil; one moment she is a simple, blonde woman, and the next she ... isn't.
While her physical stature doesn't seem to change, there are echoes behind her, translucent shadows of herself flickering several feet above her - like a ghost's imprint of what humans term their soul. Layers on layers of these shadows, stretching so far into the sky that titanic would not be an inappropriate term.
Of course, with Clark viewing, the effects may be muted to alien eyes.
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There's nothing he can say to this. He's never seen anything like it, and he's speechless.
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"I didn't meant to-- I'm sorry."
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And then there's the brief hint of a smile. "You were beautiful."
Beat.
"I mean, you still are but you were then, too."
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"Thank you, though. For the compliment."
Her own smile is slower in arriving, but it does appear.
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Clark walks over to her and raises her face up with a hand under her chin. "Hey. I'm not afraid of you." Serious face, Eirene. "And you're anything but plain, although I think that's kind of secondary here."
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She can't sense any sort of lie behind his eyes, however, no matter how long she looks into them.
Softly: "That means more to me that you'll ever know, Clark."
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"You don't scare me, Thallo Eirene."
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"So, do I get the grand tour?"
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And Clark ...well, he's going to get a quick kiss, because he didn't faint or go mad.
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And then he'll get his attention back on the area around them. "Why didn't she just leave it burning?"
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"Because we all left." Eirene shrugs lightly and moves towards, and then through, the archway.
On the other side is a series of interconnected temples that Hollywood would sell their own mother to see. Even abandoned, it's impressive.
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As usual, he follows her lead, glancing up at the archway as he passes underneath and then taking in the temples before them.
"I should stop being surprised that you went all out, shouldn't I?"
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She stands there, hearing the long ago shouts and the laughter, seeing transparent images of a holy city bustling with her family and their servants.
"I haven't been back here since before they left," the murmur is more to herself than Clark.
Slowly: "Went all out?"
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"Went all out. Spared no expense. Did everything to extreme. That sort of thing." He hopes that explanation's good enough.
Then, quieter, "What made you want to come back now?"
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The second question is a little harder to answer. She'll duck her head and blush while answering.
"Intuition? An overriding sense that I should bring you here to see where I once lived."
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Beat.
"And then I'll take you back."
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"Okay, then. Let's go."
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The walk to the highest temple is pleasant. Faint floral scents sweep by on the breeze, a fragrance left over from those few plants and flowerbeds still in bloom. Even with the sacred fire gone, there is still life on Olympus. Eirene points out a home or two along the way; the second belonged to her mother - a sedate building set back from the byway near the top.
"We tended to many of the younger gods; Aphrodite, Dionysus, Kore, when they were children." She leads the way up the last set of stairs to an imposing courtyard, beyond which sits an equally imposing home.
After kneeling down and pressing her forehead to the ground in homage to her father's temple, Eirene straightens up and turns to look the way they came. Beyond them, past the temples and other buildings that make up this abandoned paradise, is a panoramic view of the Western world - almost like someone built a perfect replica of a flattened globe.
"This is what I wanted you to see, Clark. That, out there, is Gaea."
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"It's looks awfully big from up here," he finally says, voice soft.
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This is probably the first time she's used 'people' instead of 'mortals' or 'them'.
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